Ou Hek – Lizan Maree

"Ou Hek" op 14 Jan 2013 vir "Doors, Gates and Portals"

Ongelukkig is die agtergrond oor hierdie foto meer 'n storie, as wat dit tegniese inligting is. Maar ek glo iemand sal dit interessant vind.

Die fotografie-gogga het my al in my kinderjare gebyt, maar tydens my jaar in Engeland het dit meer as 'n belangstelling geword. Ek het vir my 'n Canon 450D aangeskaf, en skaars kafee toe gegaan sonder hom. Ek het maklik 600 foto's tydens 'n dag se toer geneem, en saans was my mede-reisigers altyd verwonderd oor my foto's dikwels vir hulle goedjies gewys het waarby hulle blindelings verbyloop. Aan die einde van my tydperk daar is ek na Wallis, en spesifiek Llanelli (uitgespreek as Clanethli), waar my groot-ouers vandaan verhuis het na Suid-Afrika. Ek het 'n foto onthou uit my Ouma se albums van 'n kerk, en die dorpie platgeloop op soek na die kerk op die foto. Hierdie hek was die ingang na die kerkie waarna ek opsoek was.

Soos dit meeste beginners betaam is die foto op "Auto" geneem, met my 18-55mm "kit" lens. Dit was saam met 1000'e foto's van my oorsese ontdekkings op DVD's gestoor, maar toe ek die tema vir die Klubaand sien het ek geweet dit is DIE foto wat ek wil inskryf. Met 'n paar verstellings aan die lig, kontras en "saturation" het ek die fokus op die roes en mos uitgebring, en 'n bietjie crop het die aandag gefokus op die kleurvolle "oudheid" van die hek. Die foto was so skeef geneem, om 'n besige agtergrond uit te sny.

Kamera	Canon EOS 450D
F-stop	f/5
Shutter speed	1/60 sec
ISO	400
Focal Length	45mm

Wat ek leer uit hierdie inskrywing is die volgende: moet nie ou foto's vergeet nie - soms het jy 'n wenner raakgesien, nog voordat jy geweet het jy is opsoek daarna. 

Lizan Maree 3*

SUMMARY OF GOOD PHOTOGRAPHY AND GOOD JUDGING

LOOKING AT PHOTOGRAPHS – A PERSONAL VIEW OF APPRAISING AND JUDGING PHOTOGRAPHS WITH THANKS TO KEN HOLLAND, ARPS, DPAGB FROM THE UK.

PART ONE OF THREE PARTS.

Presented by Evelyn Gibson.

A good judge does not pass judgement. He should regard judging as appraisal, assessment and analysis. In other words, judging should be evaluative, not critical.

A good judge should, where appropriate talk about the emotional side of a photograph, is it a pleasure to look at, is it depressing, is it moving, is it challenging, or even frightening.

This is not to say that the technical side of a photograph should be overlooked, poor technique can often ruin a potentially excellent picture.

BE HELPFUL – this is where we need to be constructive.

BE FAIR – don’t pull the photographer down.

BE INFORMED – be aware of what the photographer was trying to convey.

BE INTERESTING – try where possible to add humour to your comments.

BE UNBIASED – Most important.

GIVE THREE POSITIVE COMMENTS ON EACH IMAGE.

USE THE SANDWICH METHOD. (A positive, perhaps two constructive comments and followed by a positive).

KEEP YOUR APPROACH FRIENDLY, HUMOUROUS, LIGHT-HEARTED AND RESPECTFUL.

DON’T WAFFLE – ADMIT IF YOU DON’T KNOW. (Rather ask your co-judges to help you)

RULES ARE MADE TO BE BROKEN (Doesn’t always need a centre of interest, etc., what does the image say to you).

REMEMBER ALL IMAGES DON’T NEED CROPPING

AVOID CLICHES. (I really like this image, etc.).

SOME TIPS TO DATE FROM PART ONE OF THE COURSE ON JUDGING.

Photography is very much (Not always) about initial impact.

Give the appearance that you have enjoyed judging the images in front of you.

Be Confident in everything that you do.

Don’t waffle – don’t describe the picture in front of you when everyone can see it. Don’t repeat yourself.

Dont lecture.

Be totally honest

Don’t attempt to say how a picture has been taken.

Talk about a picture as though you were a “Critical friend” of the photographer.

Speak with modesty and humility – None of us is God’s gift to photography, we all continue to learn from one another.

Keep an open mind – you may have strong, feelings, opinions etc., but this is not the arena to vent them.

Try not to let yourself become prejudiced by what you have seen before.

Similar images in same competition by same photographer – judge the image in front of you.

Remember : It is a competition and therefore the best/strongest image, in your opinion is the winner.

PART TWO WILL BE ON “WHAT JUDGES ARE LOOKING FOR IN A GOOD IMAGE”

Workflow & Postprocessing

I had a number of requests to publish links for further reading.  This information refers to the workflow presentation given at the “kuieraand” of the Centurion Camera club.

The ten basic steps of post processing as discussed are given below. (Click here for an excellent article on this topic)

1. White Balance
2. Exposure
3. Noise Reduction
4. Lens Correction
5. Detail
6. Contrast
7. Framing
8. Refinement
9. Resizing
10. Sharpening

Specific reference was made to two methods to correct contrast. Click here for 5 methods including:

1. Unsharp Contrast
2. Applying Apply Image

Enjoy the process and thank you to all that publish this valuable information on the web!

Web Site banner

Ek wil die klub lede uitnooi om ‘n banier te maak vir die web blog.  Ons sal dan probeer om die baniere so te roteer, dat so veel as moontlik baniere gebruik word en geroteer word.  Stuur asb jou bydrae aan die klub.  Die formaat is ongelukkig baie belangrik en jy moet daarby hou:

Banners moet in JPG formaat wees met die volgende beperkings:

• 830 pixels wyd x 200 pixels hoog
• 96 DPI maksimum
• Sit jou naam by as jy wil

Lekker speel.

Squaco Heron Leaving – Phillip Grobler

You often see images in magazines or at club evenings and think why cant I ever see such nice sightings. Then when you have the chance to go into the wild there is just nothing happening. Getting up at 4am so that you are ready when the first rays of the sun breaks, waiting and then nothing, no animals in sight, no birds, nothing.

If you do see anything for the day its only after 10 when the sun is high in the sky and the light is harsh.

It's easy to think some people have all the luck, but most of the time it has more to-do with perseverance and planning.

Beginning of 2012 we went to Marievale, just outside of Nigel, a couple of times and saw Malachite kingfishers on every outing and got some stunning shots of them. So over the December break I was quite keen to go back and get some more Malachite shots. With a years worth of extra practice I was hoping to catch them in flight or in mid dive. But as these things go the Malachites where scarce only popping by briefly and them being chased away by the swallow and the clouds and not play along either. Over the Christmas break I went to Marievale 6 times.

Each time getting up at 4am getting ready, driving 100km in the dark looking at the clouds in sky's hoping all stays clear and that there is no wind. If all looks clear you begin to hope that there is space left in the hide. Once there you setup and then begin to wait, for the sun, for the birds, for the clouds, if everything is in place for the birds to actually move, so that its not just a static shot. You basicly sit arround waiting for 4 hours from 05:30 until 09:30.

The first 4 outings where quite unsuccessfull with little activity or only activity on the reeds on the far side.

Then on 2013/01/01 4am I was on my way again eternally optimistic that today would be the day, and indeed it was. It sounds silly, but we only waited an hour before the first Sqauco Heron came closer to the hide. Initially sitting to the right of the hide and then flying over to the perch right in front of the hide to catch a large tadpole. It went back and forth 3 or 4 times and then flew of.

Shortly afterwards the Malachite kingfisher arrived and sat around for about 10 minutes diving into the water 3 times, before leaving.

We then sat around some more until 08:40 when the a second Sqauco Heron made its clearance, again coming right up-to the hide, so close that the bird filled the frame at 200mm on a crop camera. a Number of big lens shooters with 500mm and 800mm lenses could only sit and watch as the action was so close they could not focus on it.

That one day made up for all 5 the other days where we saw nothing and will probably keep me motivated for another 5 trips.

The technical details:

• Canon 50D
  
• Canon 70-200 2.8L IS II USM
  
• Focal length: 200mm      
  
• ISO: 400 - To allow for faster shutter speed
  
• Shutter Speed : 1/2000 – To be able to freeze the movement. - For smaller birds it might not be enough, but for larger birds its fast enough. the wings might still blur somewhat.
  
• Aperture: F/4.0 - with bigger birds you often need higher Aperture otherwise you often only have part of the bird in-focus.
  
• Aperture priority
  
• Spot metering
  
• Mounted on a tripod - for stability especially, when going over 300mm it is almost always sharper if you shoot from a fixed support.

ISO/Shutter Speed/Aperture is often a compromise between noise/depth of field and motion blur 

Phillip Grobler 3*

Marakele View–Phillip Grobler

I was quite keen to go to Marakele as I have seen a number of stunning photos taken at Marakele and the camp site is not fenced allowing the animals to move through the camp-site.

Especially the Rhino visit the camp site regularly and walk among the tents and caravans. There is also a water hole about 500m from the camp sites and the Zebra/Kudu/Impala can be seen looking out of your tent.

We got some stunning rhino shots right outside our tent. At the other end of the reserve you can drive up the mountain to a looking point with a fairly large vulture colony.

The aim driving up to the lookout point was to try and get shots of the vultures, but they proved elusive and never came close enough to make a good shot. The view from the mountain however was stunning with both beautiful sunrises and sun sets.

The photo was taken at 16:50 into the sun. With the sky correctly exposed but with the foreground quite under exposed.

The technical details:

• Canon 1Ds III
• Canon 17-40 F/4
• Focal length   : 17mm (Giving a ultra wide view on the FF body allowing the vastness of the scene to be visible)
• ISO : 100 (Choose low ISO to reduce noise and since there was lots of light.)
• Shutter Speed  : 1/400
• Aperture : F/10.0 (Used a small aperture for more Depth of field) 
• Aperture priority
• Spot metering - took metering against the sky to prevent losing highlights
• Mounted on a tripod - I initially wanted to take make HDR image

I then processed the RAW image in Lightroom setting

• Highlights : +100

• Shadows : -100

Shooting in RAW allows a lot more room for processing afterwards especially to recover highlights or shadow detail. The original RAW result, before processing, is shown on the right.

Phillip Grobler 3*

Last Petal – Ruby Braumann

The bottom of our garden is a patch where my hubby scatters seeds and everything grows in wild profusion. So we often have cosmos there - it keeps re-seeding itself. It's great to wander down there in the late afternoon as the sun slants warmly across the flowers. I have taken umpteen photos there, especially when the bees are busy.

Late October last year, I took my trusty Nikon D80 with my Nikkor 105mm Micro lens affixed, and found this flower, almost spent. The light was beautiful, and I took several photos until, with settings of aperture f8, shutter speed 1/80 and ISO 200, I caught this one. I think I was just hand-holding my camera, so I was lucky to get this so sharp. For me, what makes the photo is the soft, blurred background, the strong shadow on the last petal, and the bright yellow (actual) flowers that seem to float at the top of the composite flower.

Post-processing was minimal - a little cropping and tweaking of levels, contrast and saturation.

As Maartin always says - 'Less is more' - the simplicity of the photograph is what catches the eye.

Ruby Braumann